DigiTech Midi Implementation Manual do Proprietário Página 1

Consulte online ou descarregue Manual do Proprietário para Misturadores de áudio DigiTech Midi Implementation. DigiTech Midi Implementation Owner`s manual Manual do Utilizador

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GSP-2101 Artist
Studio Tube Preamp /
Multi-Effects Processor
A Harman International Company
S-DISC
PROCESSING
Owner's Manual
Vista de página 0
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Resumo do Conteúdo

Página 1 - GSP-2101 Artist

GSP-2101 ArtistStudio Tube Preamp / Multi-Effects ProcessorA Harman International CompanyS-DISC™PROCESSINGOwner's Manual

Página 2

Mono vs. Stereo Usage - The GSP-2101 Artist can be used in either mono or stereo outputapplications. When using the 2101 in a mono application, you sh

Página 3 - Table of Contents

Algorithm #23Mod Dly>St RevrbLEFT INPUTRIGHT MAINLEFT MAINAlgorithm #24Whammy>2Tap>RvrbLEFT INPUTRIGHT MAINLEFT MAINAlgorithm #26AWah>Dtn&

Página 4

Algorithm #34Wham2>4 Tap DlyLEFT INPUTInp 1Out 1Out 1Inp 1Inp 1Inp 2Inp 3Inp 4Inp 5Out 3Out 4Out 2Out 1Out 2RIGHT MAINLEFT MAINInp 1Inp 2Inp 3Algor

Página 5

PPC-210 users only:PPC-210 AlgorithmsThese Algorithms are only available in PPC-210-equipped GSP-2101 Artists running version 2.00. 00 orlater softwar

Página 6 - QUICK START

Factory Program List1 Lead On Me . . . . . . . . . . . . . . F9 Frank Gambale2 Smiling Chords. . . . . . . . . . . . F9 Frank Gambale3 Sonofa Blues So

Página 7 - PACKAGING

157 Black Hole . . . . . . . . . . . . . . F19158 Chicken Pickin’. . . . . . . . . . .F25159 Parallel Chor&Dtn. . . . . . . . . F3160 Lotus Lead.

Página 8 - WARRANTY

Analog Graphic EQS_DISC™Processor(DSP)CompressorMaster Volume VCADistortionMeterFront Panel InputRear Panel InputFX Loop Return RightFX Loop Return Le

Página 9 - AUDIO CONNECTIONS

Basic ChannelDefaultChannelDefaultMessagesAlteredTrue VoiceNoteNumberModeVelocity Note ONNote OFFFunction... Transmitted Recognized RemarksAfterTouchK

Página 10 - POWER CONNECTIONS

SpecificationsDigital Conversions:A/D Converter . . . . . . . . . . . . 18 bit, 128 x oversampled delta-sigma stereoD/A Converter . . . . . . . . . .

Página 11 - OTHER CONNECTIONS

Active Speaker Compensator 7,12Algorithms 13,45-62, 95-99creating 46deleting 51,52linking 55,56modifying 49-51naming 16,selecting 45Alternate

Página 12 - USING FACTORY/USER PROGRAMS

Silencer 36,37Special Characters 90Specifications 105 Test Button 45Tone Generator 10,11Tremolo

Página 13 - Section 2 - The Basics

OTHER CONNECTIONSMIDI - The GSP-2101 Artist is MIDI savvy. Much of the 2101's flexibility can be accessedremotely using MIDI, allowing you to foc

Página 14

8760 South Sandy ParkwaySandy, Utah, 84070Telephone (801) 566-8800 FAX (801) 566-7005InterNet: www.digitech.comInternational Distribution: 3 Overlook

Página 15 - PROGRAMS VS. ALGORITHMS

USING FACTORY/USER PROGRAMSThe GSP-2101 Artist contains 100 User Programs and 140 Factory Programs. The FactoryPrograms cannot be copied over, while t

Página 16 - FX LIBRARY BUTTONS

Accessing the Tuner/Tone Generator: The GSP-2101 Artist comes complete with a full-function chromatic tuner and tone generator. To access the tuner, p

Página 17 - COMPARING PROGRAMS

FRONT & REAR PANEL DIAGRAMSFig 2-4Fig 2-512Section 2 - The BasicsGSP-2101 Artist Owner’s ManualThe Basics

Página 18 - NAMING PROGRAMS

PROGRAMS VS. ALGORITHMSFor a Program to function, it must have an Algorithm assignment. In simplest terms, anAlgorithm is a group of effects connected

Página 19 - STORING CHANGES

FX LIBRARY BUTTONSThe FX Library buttons (see fig 2-4 on pg. 12) make the GSP-2101 Artist easier and faster touse. These buttons let you jump to the

Página 20 - ANALOG EFFECTS

Suppose you’re using a stereo chorus and that you want to assign Function key [1] to the chorusspeed Parameter. The procedure is as follows:• Using th

Página 21 - Section 3 - Editing Effects

NAMING PROGRAMSThe GSP-2101 Artist lets you give your Programs and Algorithms custom names (up to 20 char-acters in length). Use the Data wheel and th

Página 22 - [EQ] FX Library

STORING CHANGESFor modified Programs to be available for later recall, you must store them in memory. To store aProgram, do the following:• After you

Página 23

WARNINGFOR YOUR PROTECTION, PLEASE READ THE FOLLOWING:WATER AND MOISTURE: Appliance should not be used near water (e.g. near a bath-tub, washbowl, kit

Página 24 - [Reverb] FX Library

ANALOG EFFECTSEvery Program has a set of analog effects whose signal routing order is always fixed. These analogeffects include Compression, Distortio

Página 25

While turning the distortion OFF gives you a clean sound, many guitarists prefer the sound ofthe tube when it is not overdriven. We call this the Clea

Página 26

DIGITAL NOISE GATE AND WET/DRY MIXERThere are two digital effect modules present in every GSP-2101 Artist Program: The digitalnoise gate and the wet/d

Página 27

Adjustable Q equalizers offer the ability to control the bandwidth of the boost/cut ranges. HighQ settings (Q=8) yield extremely narrow bandwidths, wh

Página 28

GigaVerb has 20 Parameters, that give exceptional soundfield and tonal shaping control overreverberation. It is best suited for simulating natural roo

Página 29 - [Dly/Smp] FX Library

The GigaVerb’s ER SPREAD, ERSHAPE, and RV ROOM SIZE con-trols let you modify the build/decayof the early portion of the reverbera-tion envelope and th

Página 30

Fig 3-6ER Stereo Blend: Appears only in the Stereo GigaVerb Module, and controls theamount of early reflections from the left side of the stereo image

Página 31

RV Diffusion: RV DIFFUSION controls the smoothness of the reverberation. In a realroom, reverberation is naturally diffused by the air. However, diffu

Página 32 - [Cho/Fla] FX Library

Gated Reverbs - A true gated reverb is simply a reverb followed by a gate. In the GSP-2101Artist, this combination is emulated in a single Module. Gat

Página 33

Rvrb StereoBlend: Appears in stereo Modules only. Controls the amount of reverbera-tion from the left side of the stereo sound field that is heard in

Página 34 - [Pitch] FX Library

Section 1 - Introduction...4Quick Start

Página 35

Each delay Module has a number that immediately follows the name. These numbers representthe amount of delay time in seconds available to each Module.

Página 36

Repeat Hold: This is the infinite repeat Parameter. When turned on, the delay taps willrepeat indefinitely until the REPEAT HOLD Parameter is disengag

Página 37

Playback Level: Determines the overall level of the sample when played back. Variablefrom 0 to 100.Audio Trigger Mode: Determines whether audio trigge

Página 38 - [Gate] FX Library

LFO Speed: Controls the speed of the chorus sweep. The higher this is set, the fasterthe chorus oscillates back and forth. This will also cause the c

Página 39

LFO Waveform Type: Controls the LFO (low-frequency oscillator) waveform pattern ofthe flange effect. SINE produces a smooth sine wave-type flange with

Página 40 - [More] FX Library

As a side note, several of these effects are in their second generation of development since theoriginal release of the GSP-2101 (i.e. they have been

Página 41

DetunersEffect On / Off: Turns the Module on or off. When the Module is turned off, itsParameters are not displayed and signal will not continue to pa

Página 42

Whammy™Effect On / Off: Turns the Module on or off. When the Module is turned off, itsParameters are not displayed, but signal will continue to pass t

Página 43 - [Mix] FX Library

The GSP-2101 Artist is equipped with DigiTech’s Silencer™ technology. The Silencer™ Modulesoffer seamless, professional-quality noise reduction that c

Página 44

Attack Time: Controls how fast the gate opens after detecting a signal above THRESH-OLD. Large numbers yield slower attack times, while small numbers

Página 45 - OPTIMIZING LEVELS

Section 3 - Editing Effects (cont...)...32[Pitch] FX Librar

Página 46

Tremolo was one of the first real “effects”, and appeared mostly on early guitar amplifiers.Because of this, tremolo is sometimes perceived as soundin

Página 47 - USING THE [TEST] BUTTON

Another utility module is the Phase Inverter, which simply flips the phase of the signal (great foreliminating acoustic guitar feedback). The last ut

Página 48 - CONSTRUCTING USER ALGORITHMS

LFO Waveform Type: Controls the LFO waveform pattern of the phasing effect. SINEproduces a smooth sine wave-type phasing with even transitions in and

Página 49 - Section 4 - Algorithm Usage

Phase InverterPhase InverterFlips the signal phase 180 degrees. Settings are either IN PHASE orOUT OF PHASE.Tuning ReferenceLevel: Controls the output

Página 50

Choruses, delays, reverbs, phasers, flangers, and pitch shifters all rely on a combination of dryand effects signal to produce their characteristic so

Página 51

Using mixers in the GSP-2101 Artist is especially important because, you may want to turnindividual effects on or off using the optional Control One f

Página 52

• Overload indicator - Indicates (when lit) that the digital section of the GSP-2101Artist is being overloaded. If this indicator lights when the GSP-

Página 53

SELECTING ALGORITHMSThe Algorithm you choose for a Program determines the basic function of the Program, so makesure you choose an Algorithm that has

Página 54

• Use the FX Library keys to select the Module you want to hear. The display shows thecurrent Module being auditioned, and the test message. It will l

Página 55

IMPORTANT: When you start building your own Algorithms, remember that CPU and RAM block counts are approximate. It is normal to run out of blocks even

Página 56

Assigning Programs to Footswitches...72Assigning Parameters to Footswitches/Expressio

Página 57

Algorithm Construction Hints: Building an Algorithm is much like having a large rack full ofindividual effects and patching them all together with doz

Página 58

• Pressing the [ENTER] button once. The Edit LED lights and the display reads: followed by:You can now select whether you want to modify the current A

Página 59

To add effects Modules to an Algorithm, you must first enter Edit mode. Edit mode is reached byscrolling to the Algorithm screen (one screen to the ri

Página 60

• Continue adding Modules by selecting the Module and pressing [ENTER]. If there isnot enough memory for the Module, the display will tell you that th

Página 61

• To delete the selected Module from the Algorithm, press [ENTER]. The displaybriefly reads:after which the display reads:• To delete another Module,

Página 62

• Press the [DELETE] key. The display reads:• To delete the Algorithm from memory, press Function key [1]. The display brieflyreads:• To delete the Al

Página 63

• Use the [NEXT] and [PREV] keys to select the Module you want to Move.• Press Function key [1] to "pick up" the Module. Note that the MOVE

Página 64

Linking (Audio Path Routing)After you have added all the Modules that you want to use, the next step is to connect theinputs and outputs of each Modul

Página 65 - PROGRAM MAPPING

Now let’s add the modules to a new Algorithm. Because we are using several effects at one time, managing the wet/dry relationship can be a little tric

Página 66 - DEVICE MAPPING

• Press [1] for yes.The display should look like this:AutoLink has made a guess as to how we may want to link our FX Modules together.But, by using th

Página 67

QUICK STARTFor those of you who prefer to burn now and read later, we've included this Quick Start sectionto help you do it right the first time.

Página 68

• After linking all the FX Modules correctly, press the [STORE] button. After renamingour new Algorithm (optional), press [STORE] again to compile the

Página 69 - ABOUT SYSEX DUMPS

The Algorithm is now saved in memory for use with Programs. When you exit, the GSP-2101Artist selects the newly saved Algorithm for use in the Program

Página 70

• Press Function key [1]. The display reads:• Press Function key [2]. The Algorithm is converted, after which the display reads:The Algorithm has been

Página 71 - MIDI PROGRAM LOAD TYPE

• Press Function key [2]. The Algorithm is converted, after which the display reads:The Algorithm has been successfully converted to dual S-DISC, givi

Página 72 - CONFIGURING THE PEDALBOARD

You can continue to add/delete Modules as described above until both S-DISCs are out of memory and / or processing blocks.NOTE: If you find that you’r

Página 73

MAIN MIDI RECEIVE CHANNELThe GSP-2101 Artist MIDI Channel Parameter allows you to select the MIDI channel onwhich the GSP-2101 Artist will receive MID

Página 74 - BANKS/PATCHES

• Press Function key [3]. The cursor moves to AS GSP PRG.• Change the number to 131 using the Data wheel. When you’re finished, press [MIDI]to exit.No

Página 75

• With the cursor still under the DEVICE number, use the Data wheel to select theMIDI channel you want the device to respond to (if this Parameter is

Página 76

• Using the Data wheel, select the CC number you want to control the Parameter with.The display looks something like this:• After you have selected a

Página 77

DISPLAY ACTIVE LINKED PARAMETERThis is a simple option that allows you to see the CC values change in real time. When thisParameter is set to YES, the

Página 78

ABOUT THE GSP-2101 ARTISTCongratulations, and thank you for your purchase of the DigiTech GSP-2101 Artist StudioTube Preamp/Multi-Effects Processor. T

Página 79

• Press Function key [2]. The display reads:The total number of bytes to be dumped may vary depending on how many of yourown custom Programs and Algor

Página 80

MIDI MERGINGThe MIDI merging option allows incoming MIDI data to be merged with any MIDI data gener-ated by the GSP-2101 Artist before being sent to t

Página 81

CONFIGURING THE PEDALBOARDThe optional Control One foot controller can help you get the most out of your GSP-2101Artist. Since the Control One talks t

Página 82 - OTHER PEDALBOARD TIDBITS

• Press Function key [2] once. The display reads:• Press Function key [3]. The display reads:• Press Function key [1]. The display reads:• Select whet

Página 83

BANKS/PATCHESThe Control One helps you organize your sounds into ten groups called Banks. Each of theseBanks contain ten patches which are user progra

Página 84

• Simply press one of the ten Patch footswitches to Link that Program to that switch. Ifyou choose a footswitch that is already assigned to do somethi

Página 85 - GLOBAL EQ

• Press one of the ten Patch footswitches or move the Expression pedal to Link thatParameter. If you choose a footswitch that is already assigned to d

Página 86 - FACTORY RESET

NOTE: Remember that the 2101 recalls the stored value first and pays no attention to Parameter links. If you want a Program to load with a Master Volu

Página 87 - SEAMLESS PROGRAM CHANGE TIMES

Int. Exp pedal CC: The Expression pedal of the Control One can also send MIDI CCdata . This switch function allows you to re-assign the MIDI CC assign

Página 88 - Section 7 - Other Utilities

• Press the [UTILITY] key once. The display reads:• Press Function key [2] once. The display reads:• Press Function key [3]. The display reads:• Press

Página 89

WARRANTY1. The warranty registration card must be mailed within ten days after purchase date to validatethis warranty.2. DigiTech warrants this produc

Página 90 - STUDIO HINTS

• Press the [UTILITY] key once. The display reads:• Press Function key [2] once. The display reads:• Press Function key [3]. The display reads:• Press

Página 91 - ABOUT SYSEX DOCUMENTATION

• Press the [UTILITY] key once. The display reads:• Press Function key [2] once. The display reads:• Press Function key [3]. The display reads:• Press

Página 92 - SPECIAL CHARACTERS

OTHER PEDALBOARD TIDBITSHere are a few other features that you will want to learn about to get the most out of yourControl One foot controller.Program

Página 93

LED Assignments: The LED indicators of the Control One can be set up to function in one ofthree ways. In the LED NORMAL mode, the LED above the curren

Página 94

Alternate Bank Up/Down Footswitches: Many players feel that giving up two footswitches foruse as Bank Up/Down switches in every Bank is just too costl

Página 95

MONO VS. STEREO OUTPUT MODESTo get the best results from your GSP-2101 Artist, the output mode must be set for your particu-lar setup. The OUTPUT MODE

Página 96

FACTORY RESETFactory Reset gives you two different options for restoring the memory of the GSP-2101 Artistto its original factory condition. The first

Página 97

• After entering Utility mode, press [NEXT] once. The display reads:• Press Function key [2]. The display reads:• Press Function key [2] once. The dis

Página 98

The following diagram shows exactly what happens during the course of a seamless Programchange. The example settings are: HOLD TIME = 1.4 seconds; RAM

Página 99

Note that a cursor appears under the 0 in HOLD TIME. This is the seamless Program change setup menu. This menu is Program specific; each Programcan be

Página 100 - Section 9 - Appendix

AUDIO CONNECTIONSGuitar Inputs - The GSP-2101 Artist provides two jacks to choose from when connecting yourguitar. One on the front, and one one the b

Página 101

STUDIO HINTSThe GSP-2101 has two sets of outputs that do slightly different things. Both the XLR and 1/4”outputs provide great sounding audio signals,

Página 102

Now we are actually feeding the two pre-amps the same guitar signal. Most Amp heads have anFX loop, so lets put this to work for us. Use an instrument

Página 103

SPECIAL CHARACTERSThere are several special characters that the GSP-2101 Artist uses to tell you at a glance exactlywhat is happening. Most special ch

Página 104

Fig. 9-2Memory Usage ChartOn the following page is a list of all the Modules available in the GSP-2101 Artist and theRAM and CPU memory requirements f

Página 105

RAM CPUEQUALIZERS6-Band Graphic 0 5110-Band Graphic 0 8115-Band Graphic 0 114Low-Pass Filter 0 11High-Pass Filter 0 111-Band Parametric 0 143-Ban

Página 106

Factory Algorithm Routing DiagramsFollowing are block diagrams of all the Factory Algorithms. These diagrams show all of the inputand output informati

Página 107

Algorithm #6Cho>2TDly>StTremAlgorithm #7GigaVerb for GtrRIGHT MAINLEFT MAINAlgorithm #8Stereo GigaVerbAlgorithm #9St Cho>Dly>RevrbLEFT INP

Página 108

Algorithm #11St Pch>Dly>RevrbRIGHT INPUTLEFT INPUT4 x 2Stereo 4 x 2 MixerInp 1Inp 2Out LOut RIn 1In 2Inp 3In 3Inp 4In 4Out 1Out 2SDly 2Stereo Dl

Página 109

Algorithm #152TDly>2 ReverbsRIGHT INPUTLEFT INPUTRIGHT MAINLEFT MAINAlgorithm #16Wah>Wham>Cho>DlyRIGHT INPUTLEFT INPUTSDly 2Stereo Dly 2.0

Página 110

Algorithm #20Pha>Cho>2Tap>PanLEFT INPUTRIGHT MAINLEFT MAINAlgorithm #21Dly>8Voice ChorusRIGHT INPUTLEFT INPUT2 x 1Mono 2 x 1 MixerOut 1Inp

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